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- <text id=94TT1667>
- <title>
- Nov. 28, 1994: Books:"Teriyaki" Is Slang for Heroin
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1994
- Nov. 28, 1994 Star Trek
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- ARTS & MEDIA/BOOKS, Page 87
- "Teriyaki" Is Slang for Heroin
- </hdr>
- <body>
- <p> Japan's wealth had to create some decadence; now a writer describes
- the fast-living youth in the land of the salaryman
- </p>
- <p>By Pico Iyer
- </p>
- <p> Ueno Park, in Tokyo, was ordained by the Meiji Emperor in the
- late 19th century as a public space in which Japanese could
- pay homage to ancient shrines and native traditions. Nowadays,
- it is a mess of illegal Iranian immigrants selling phony telephone
- cards and cocaine. The statue of Takamori Saigo, a Meiji-era
- samurai, is surrounded by junkies seeking out teriyaki (heroin)
- or shabu-shabu (crystal methamphetamine). Indeed, when Choco
- Bon-Bon, star of such Japanese porn classics as Tales of a Hard
- Banana, needs a fix, he goes shopping in Ueno and then goes
- home to the Hotel Queen DeGaulle to get high.
- </p>
- <p> This scene is emblematic of the world portrayed in Karl Taro
- Greenfeld's Speed Tribes (HarperCollins; 286 pages; $23), a
- fast and strutting view of a neon-lit capital that might be
- called Notes from the Tokyo Underground. In place of the kimonoed
- ladies and the men in gray flannel suits who form so much of
- our sense of Japan, Greenfeld pulls back the curtain on a much
- more colorful and disaffected group--gangsters, good-time
- girls, gold-toothed bikers and punks. The economic boom of the
- '80s, in which Japan's assets grew 80% in just four years, produced,
- Greenfeld suggests, a new generation of cheap operators and
- rich hedonists. As young, hip and plugged-in as his subjects--he knows every Gaultier accessory and Ruger pistol--Greenfeld
- provides a racy, knowing portrait of the people who are usually
- cropped out of the country's official portrait of itself.
- </p>
- <p> Essentially, the author's method is to mix the slangy, teen-dream
- prose of a suburban hell raiser with rock-solid numbers. He
- shows us kids who attended high school for only three days and
- schools that have never sent a single student to college. He
- explains how to hotwire a Suzuki 750 motorbike and how to sell
- fake acid on the streets. Yet all these fancy maneuvers are
- underscored by some sobering statistics. The average Japanese
- watches nearly an hour more of television a day than an American.
- Approximately 14,000 adult videos are made every year in Japan
- (in the U.S. the figure is 2,500). And between 1985 and 1990,
- cocaine seizures in the country went up from 129 grams a year
- to 68.8 kilos. What gives Speed Tribes its piquancy is the way
- these very modern problems play off against the vestiges of
- tradition. Motorcycle gangs, for example, bow to one another
- at a rumble. A mobster visits his godfather on Respect for the
- Aged Day.
- </p>
- <p> Greenfeld's gold-chain demimonde no more represents all of Japan
- than Bret Easton Ellis' world of tan, designer-drug nihilists
- represents America. Like Ellis, Greenfeld sometimes comes close
- to succumbing to the brand-name hypnosis he wishes to satirize.
- Moreover, he never really explores the meaning of the rebellions
- he describes. Instead, he gives us a kind of up-to-the-minute
- CD: a collection of snappy, driving vignettes that show how
- the cutting edge draws blood.
- </p>
- </body>
- </article>
- </text>
-
-